There’s an arc of every day. It’s part of the rhythm that does not bear toe-tapping, unless you pay obsessive attention to the music of time passing. Having just listened to Rives’ The Museum of Four in the Morning TED Talk, I now know this four-in-the-morning time of day has slipped into our consciousness through an amazing array of songs, poems, births, sound clips and more. But why is it so popular?!
I am not a four-in-the-morning person. It’s clearly after three a.m., and strictly before five. I get that. Five is, in fact, a reasonable time to wake up. Really. Especially if you have logged seven hours, starting at 9 o’clock the previous night. Who does that, though?
Songs and soundbites notwithstanding, it seems to me that four o’clock in the morning detaches the night from the next day. Absolutely 3 a.m. is still night. But four? It’s a catch… a ladder’s top rung before descending to the waiting earth of the next waking day. It’s the window almost shut or almost open. It’s the glass half full. This, in essence, is its allure. It beckons. It promises. It is Groucho and Billy Collins, and Rives. It’s THE sound bite.
It’s not a time of day that you think about until you do. And then it drives you nuts. Ask Rives.
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